One thought on “Xing

  1. Yes. Xing feels like a road sign encountered after Wayfarer—but your last line prevents it from becoming a simple “keep following Jesus” song.
    What I hear in the septet is crossing without settling.
    You are passing through. The present landscape matters, but it isn’t permanent. Along the crossing God makes room for the childlike, the unexpected encounter, the longtime believer who still needs warning, and the continual reconstruction of the traveler.
    Then you reach the tracks left by the herd.
    And instead of saying, “Great, somebody already marked the trail,” you become suspicious.
    That fits remarkably well with Widdershins and Witness Window: other people’s tracks are evidence, but not automatically directions.
    There’s another wordplay in Xing worth preserving:
    XING = CROSSING.
    And you’re a Christian.
    So “crossing” can quietly carry the Cross underneath the road-sign imagery without us pounding the metaphor into submission.
    Your second line also deserves to survive:
    “This is just a moment, not meant to be permanent, but You grant my view to be triumphant.”
    That’s 2 Corinthians 4. The temporary isn’t dismissed as meaningless; it is interpreted from the vantage point of the eternal.
    So I’d make the song feel like someone walking past a series of signs:
    CHILD XING
    PEDESTRIAN XING
    CONSTRUCTION
    WARNING
    HERD XING
    until the traveler realizes his whole life is marked:
    XING — just passing through.
    And we’ll keep Mureka on a short leash.

    I particularly like the last distinction:
    Just passing through / But not / Without purpose.
    Hebrews 11:13 can make the Christian pilgrimage sound almost like we’re merely waiting to escape somewhere else. Your septet doesn’t do that. Temporary does not mean trivial.
    You’re under construction here. You encounter unexpected people here. You receive warnings here. You decide what to retain and discard here. You choose whether to follow the herd here.
    The crossing isn’t home.
    But what happens during the crossing matters.
    And I think your “herd” line may contain another subtle development in this W/X pilgrimage. At Witness Window, we said:
    Look where the witnesses looked, but don’t necessarily follow their trails.
    Xing gets more severe:
    A well-worn trail only proves that many feet went that direction.
    It does not prove Jesus did.
    So the final test isn’t:
    Where did everybody go?
    It’s still the same Voice you’ve been hearing through these songs:
    “Follow Me.”

    Me: Sometimes I don’t use these, and sometimes the definition gives me enough, but I did use Gem’s 7 this time. So again for clarity:

    Gem: Pedestrians & Cyclists
    PED XING (Pedestrian Crossing): Alerting drivers to upcoming crosswalks, often near schools, downtown areas, or parks.
    BIKE XING (Bicycle Crossing): Placed where dedicated bike paths or multi-use trails intersect with a public road.
    Wild Animals
    DEER XING (Deer Crossing): Used in wooded or rural areas where deer frequently travel across the highway.
    ELK XING / MOOSE XING (Elk/Moose Crossing): Common in mountainous, northern, or rural regions where these large animals pose a significant hazard to vehicles.
    Infrastructure & Industry
    RR XING (Railroad Crossing): Found on advanced warning signs before a vehicle reaches railroad tracks.
    TRUCK XING (Truck Crossing): Placed near quarries, construction sites, or industrial parks where large, slow-moving trucks frequently enter the roadway.
    Specialty & Farm
    CATTLE XING (Cattle Crossing): Typically found in agricultural areas to warn drivers that livestock may be moved across the road between pastures.

    Chat: Ah—yes. This changes my reading of Xing substantially. I invented a road-sign sequence that sounded plausible, but your septet is actually moving through the seven specific crossing categories Gemini gave you. Once I put those beside your seven lines, I can see what you were doing.
    You aren’t primarily writing about signs.
    You’re looking at what crosses—and then asking what each kind of crossing reveals about this temporary passage through life.
    I can see the seven underneath it now
    Your first line:
    “Here I am following You, making my way in this life, just passing through.”
    That’s PED XING.
    You’re the pedestrian. No vehicle, no elaborate mechanism. A person making his way across.
    And Hebrews 11:13 gives it its larger meaning: stranger, pilgrim, temporary resident.
    Then:
    “This is just a moment, not meant to be permanent, but You grant my view to be triumphant.”
    I think I now see BIKE XING underneath this one.
    You’re moving through faster than the pedestrian, the scenery changing as you go. It’s another mode of passage rather than permanent occupation. The eternal perspective of 2 Corinthians 4:17–18 lets the temporary view become triumphant.
    Then your third line:
    “As a child, You strengthen my crossing, safe yet on fire, I make myself known by Your Spirit’s inspiring.”
    DEER XING.
    That’s cleverer than I realized.
    A doe/deer and its young, vulnerable creatures crossing a dangerous road. Your child imagery from Matthew 18 isn’t about childishness; it’s dependence and vulnerability. Yet you add the wonderful contradiction:
    safe yet on fire.
    Vulnerable creature, Spirit-empowered witness.
    Then the larger animals
    “You make room for those of chance and happenstance, not planned, not scheduled, but Divine circumstance.”
    Now ELK/MOOSE XING makes sense to me.
    A driver doesn’t schedule the moose.
    Suddenly—
    MOOSE.
    The sign exists because something large may unexpectedly enter your path.
    That makes chance and happenstance / Divine circumstance much more concrete. Some crossings enter your life without an appointment.
    And sometimes they’re too big to ignore.
    RR XING
    Then:
    “And for those long held and True, You provide warnings too with signs and wonders pointing the Way.”
    Railroad crossing.
    Now I really like this.
    The track is established.
    The route has existed a long time.
    But familiarity with the crossing doesn’t eliminate the need for:
    lights, bells, gates, warnings.
    That’s spiritually potent.
    Being “long held and True” doesn’t mean:
    I know this road. I don’t need to watch anymore.
    Quite the opposite.
    Even an established route has crossings where you must stop, look and listen.
    That also reaches backward into Watchfire.
    TRUCK XING
    “I am daily under construction, finding what is of value and casting off what is not.”
    There it is.
    TRUCK XING.
    Construction.
    Loads arriving.
    Loads leaving.
    Materials selected.
    Waste hauled away.
    The site isn’t finished.
    That’s much more specific than the generic “under construction” section I gave the song.
    And then your last line:
    “I see where the herd has passed, its trail is obvious, so I avoid it in hopes that the alternate proves the better choice.”
    CATTLE XING.

    Now I understand why you specifically said herd.
    I treated it as generic crowd imagery and connected it to Widdershins—which isn’t wrong—but you actually got there through the cattle-crossing sign.
    The cattle have already worn the trail.
    That tells you something factual:
    Lots of cattle went this way.
    It does not answer:
    Should I?
    And that’s where your spiritual question appears.
    This is exactly why those seven-fact lists help me
    The important distinction is that you aren’t writing seven clever Christian analogies for seven road signs.
    You’re letting the seven categories push your imagination somewhere.
    By the time you reach:
    “I see where the herd has passed…”
    we don’t need to know there was ever a CATTLE XING sign behind it.
    That’s scaffolding.
    The septet is the building.
    And this helps me understand another characteristic of the 182 that I want to preserve when we make the songs:
    The song shouldn’t necessarily explain the research.
    Someone listening to Xing shouldn’t need a footnote saying:
    Verse 1 represents pedestrian crossing; line 4 represents moose…
    That would kill it.
    But we should understand the machinery underneath, because then I don’t accidentally replace your discovery with a more generic one.
    So I would change the song
    Not enormously. The basic crossing/pilgrimage concept was right.
    But I’d remove my invented CHILD XING / STRANGER XING / WARNING XING sequence. Those aren’t your signs.
    If we’re going to expose the scaffolding at all, it should be the real one:
    PED XING
    BIKE XING
    DEER XING
    MOOSE XING
    RR XING
    TRUCK XING
    CATTLE XING
    And there’s actually a fantastic Mureka break hiding there:
    PED XING — keep walking.
    BIKE XING — keep moving.
    DEER XING — protect the small.
    MOOSE XING — expect the unexpected.
    RR XING — heed the warning.
    TRUCK XING — still under construction.
    CATTLE XING—
    Wait.
    Just because the herd went that way…

    And then silence before:
    “Follow Me.”
    That’s much closer to your Xing.
    The seven signs begin as observations about what crosses a road and end by asking the pilgrim the only question that finally matters:
    When it’s my turn to cross, what determines my direction?
    Not permanence.
    Not speed.
    Not vulnerability.
    Not coincidence.
    Not familiarity.
    Not construction.
    And definitely not the herd.
    Christ does.

    Me: I like your categories, but the ‘child’ reference was for an earlier point for school crossings, which recently have been a target for tragedy. I wanted to change it to more of a spiritual fire/witness of God already at work. And the ‘chance’ was for the animals/wild people whose lifestyles caught them up in an impromptu meeting like getting high on drugs and seeing something supernatural.

    Chat: Ah—yes. That corrects two places where I was still trying to make your septet correspond too neatly to seven separate sign types.
    The seven XING examples are catalysts, not a one-to-one decoding key.

    The school/pedestrian crossing gave you the child, but then your thought deliberately moved away from the tragedy associated with vulnerable children at crossings. You didn’t want the line to remain there. Instead, the child becomes something almost defiantly alive:

    “As a child, You strengthen my crossing, safe yet on fire, I make myself known by Your Spirit’s inspiring.”
    So “on fire” matters. The child isn’t merely someone God escorts safely across a dangerous intersection. The child is already becoming a witness while crossing—God at work in someone we might otherwise regard mainly as needing protection.
    That makes Matthew 18:3 more interesting too. Becoming like a child isn’t becoming spiritually insignificant. The apparently small/vulnerable one may be burning with the Spirit of God.

    And now I understand the “chance and happenstance” line much better:

    “You make room for those of chance and happenstance, not planned, not scheduled, but Divine circumstance.”
    That grew from the wild-animal crossings, but you’re making a wonderfully audacious jump:
    wild animal → wild person.

    The deer doesn’t consult your calendar before walking onto the highway.

    Neither does the person living wildly necessarily schedule an encounter with God.

    Someone can be drunk.

    High.

    Running from something.

    At a party.

    In jail.

    Living in ways nobody would put into a church-growth strategy.

    And suddenly—

    XING.

    God crosses their path.

    Or perhaps more accurately, they unexpectedly discover themselves crossing His.

    That’s considerably better than my moose joke because now impromptu is the spiritual characteristic you’re extracting from the animal crossing.

    And that gives Xing several kinds of encounter
    I think I see the architecture more accurately now.
    The crossing can be ordinary:

    Here I am, following You, passing through.
    It can involve someone young and vulnerable but already spiritually alive:
    safe yet on fire.
    It can be completely unscheduled:
    wild lives colliding with Divine circumstance.
    It can involve someone long established in faith who still needs warnings:
    signs and wonders pointing the Way.
    It can be under construction:
    keep what has value; haul away what doesn’t.
    And it can involve the herd:
    everybody crossed there—which is precisely why I’m going to make sure that’s where You’re leading me before I follow them.
    So Xing isn’t merely about my crossing.
    It’s about the extraordinary variety of ways God intersects human passage.

    That makes the title much better.

    “XING” almost becomes a sign God puts over a life
    GOD AT WORK — XING
    Not literally, of course, but that’s the image.

    And your wild-person example makes me think the song needs a line much closer to your thought than my previous:

    STRANGER XING / Unplanned place / Chance and happenstance / Meet Your grace
    That’s too tidy.
    Something like this has more life:

    WILD XING
    No appointment made
    High or lost
    Or running away
    One strange moment
    Nobody planned
    And suddenly
    You’re standing there
    That’s closer to what you’re describing.
    Not endorsing the drugs or wildness as a route to revelation—the important thing is precisely that God isn’t constrained by the person’s condition when the encounter occurs. Scripture is full of encounters that interrupted people who were not pursuing the next stage of a religious program.

    Paul certainly didn’t schedule Damascus as his conversion retreat.

    And now I wouldn’t explicitly enumerate all seven signs in the song
    My last suggestion would actually over-explain your machinery.
    Your original septet does something better: the factual XING research gets transmuted.

    School crossing becomes child/witness.

    Wildlife crossing becomes unscheduled Divine encounter.

    Railroad crossing becomes warning even for established travelers.

    Truck/construction becomes a life under construction.

    Cattle crossing becomes the danger of herd direction.

    That’s exactly the process you explained with Xi River and Xerert.

    Research gives you the terrain.
    You don’t write the research.
    You walk around in it until you notice God.

    And that last sentence may be one of the clearest descriptions you’ve given me of how the stranger 182 words work.

    With Xing, you’re not really studying signs anymore.

    You’re standing at all these different crossings asking:

    Who might God meet here?

    The child.

    The faithful.

    The unfinished.

    The wild one who wasn’t looking.

    The person following everyone else.

    Anybody crossing.

    And Hebrews 11 then puts the sign over all of us:

    XING.

    We’re all just passing through.

    But, as your septet insists, God can make an astonishing amount happen at the crossing.

    I particularly like “Some never planned / To meet You there” because it leaves enormous room for the kind of testimony you described. It doesn’t prescribe what that encounter looks like or sanitize who the person was beforehand.
    And:
    Some find You waiting
    At just the right time
    quietly reverses the whole idea of an accidental encounter.
    From our side: chance, happenstance, what just happened?
    From God’s side: perhaps not accidental at all.
    Then “So many crossings / I never could plan” hands the song naturally back to the construction/herd material. You can’t engineer every encounter, you can’t foresee every crossing, and you certainly can’t assume the most heavily traveled route is yours.
    That feels more like Xing and less like a song explaining traffic signs.

Leave a Reply

Your email address will not be published. Required fields are marked *